Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Schulenberg, David | Composition and Improvisation in the School of J. S. Bach. |
BachPerspectives |
1 | | 1995 |
1-42 |
|
| 2. | Stinson, Russell | The Compositional History of Bach's Orgelbüchlein Reconsidered. |
BachPerspectives |
1 | | 1995 |
43-78 |
|
| 3. | Marissen, Michael | Concerto Styles and Signification in Bach's First Brandenburg Concerto. |
BachPerspectives |
1 | | 1995 |
79-101 |
|
| 4. | Chafe, Eric T. | 'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. |
BachPerspectives |
1 | | 1995 |
103-134 |
|
| 5. | Crist, Stephen A. | The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215. |
BachPerspectives |
1 | | 1995 |
135-161 |
|
| 6. | Brokaw, James A., II | The Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a? |
BachPerspectives |
1 | | 1995 |
163-180 |
|
| 7. | Stinson, Russell (ed.) | Bach Perspectives I. |
BachPerspectives |
1 | | 1995 |
xii, 226p |
|